Tagged: girl

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November 24, 2016 5:49:06 PM IST By Pooja Sharma, Glamsham Editorial Nitesh Tiwari directed DANGAL starring Aamir Khan has created enough curiosity among the viewers with its trailer and posters. In the film’s first song we saw Mahavir (Aamir Khan) as the ‘Haanikaarak Bapu’ , who is trying to make his daughters follow the strict routine of exercise and discipline needed in the life of a wrestler

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Kriti Sanon sure is the girl to look out for! After bagging a movie like DILWALE right after her debut in HEROPANTI, she is out to make a mark and how! Kriti will soon be seen romancing Sushant Singh Rajput in RAABTA, and after that she is working in 2 movies which have the backdrop of UP. Starring alongside Ayushmann Khurrana and Rajkummar Rao, BAREILLY KI BARFI reportedly has a typical Lucknow flavor. Kriti is also working in LUCKNOW CENTRAL and there, she plays a strong-headed and well-educated NGO worker.

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However, after you meet the girl, and understand what happened, you go ahead and get married to the girl you hate, the one who your dominating sisters decide is best for you. All this happens in England. This is the story of Gaurav (Girish Kumar Taurani) and Pooja (Navneet Kaur Dhillon).

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For long we have been treated with heroines as objects of desire, to be just a decorative piece in a film that has the male as the super star. There have been female-oriented films in between

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A bunch of senior citizens (Anil Kapoor, Paresh Rawal, Nana Patekar, Dimple Kapadia and Naseeruddin Shah) have been left loose by Anees Bazmee on screen.

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A home video makes it on the big screen! Anirudh Chawla has a very novel thought about hypocrisy in society but the manner in which he tries to send across his message is not so novel, and is also ‘over-the-top preachy’. It is one thing to make a film with a social message, but it takes craft to deliver the scenes in style without delivering the same message over and over again

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There’s this constable Sadhu, whose only job is to bring samosas with extra sauce, apart from driving his boss (an oversized police officer) who mouths dialogues with an IQ of a seven-year-old. When his suggestions of catching Gabbar is laughed at and he is mocked by officers of ACP rank (who have the arrogance of rich 18-year-olds) Sadhu decides to go on sick leave to nab Gabbar. Now, this Gabbar is not the one who evoked terror through the late Amjad Khan when SHOLAY released.

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Take OMG: OH MY GOD, mix it with PK, add a little of a Pop singer angle, put it in a mixer and whip for 4 seconds. Voila! You have DHARAM SANKAT MEIN

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